Conan the Barbarian (filem 1982)

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Conan the Barbarian
Seorang lelaki bercawat dan topi bertanduk, menjulang pedang di tangan kiri. Seorang wanita berambut perang berlutut dihadapannya, memegang pedang melengkung dengan kedua belah tangan.
Seni promosi utama oleh Renato Casaro bagi filem ini
PengarahJohn Milius
PenerbitBuzz Feitshans
Raffaella De Laurentiis
Lakon layar olehJohn Milius
Oliver Stone
BerdasarkanConan the Barbarian oleh
Robert E. Howard
Dibintangi oleh
  • Arnold Schwarzenegger
  • James Earl Jones
  • Sandahl Bergman
  • Ben Davidson
  • Gerry Lopez
  • Mako Iwamatsu
Muzik olehBasil Poledouris
SinematografiDuke Callaghan
Disunting olehC. Timothy O'Meara
Syarikat
penerbitan
Dino De Laurentiis Corporation
PengedarUniversal Pictures
(USA & Canada)
20th Century Fox
(International)
Mula ditayangkan
16 Mac 1982 (1982-03-16)(Sepanyol)
Mei 14, 1982 (Amerika Syarikat)
Tempoh tayangan
129 minit
NegaraAmerika Syarikat
BahasaInggeris
Perbelanjaan$16 juta[1]
Pecah panggung$130 juat[1]

Filem Conan the Barbarian (bahasa Melayu harafiah Conan the Barbarian ) merupakan sebuah filem berbahasa Inggeris yang mula ditayangkan pada tahun 1982.

Filem Conan the Barbarian ini telah dihasilkan di bawah arahan pengarah John Milius.

Pelakon[sunting | sunting sumber]

Filem Conan the Barbarian ini turut disertai oleh beberapa orang pelakon terkenal, antaranya adalah Arnold Schwarzenegger, James Earl Jones, Max von Sydow.

Ringkasan[sunting | sunting sumber]

Kisah epik kanak-kanak yang dijual sebagai hamba yang membesar menjadi lelaki yang ingin membalas dendam terhadap ketua perang yang membunuh puaknya.

Rujukan[sunting | sunting sumber]

  1. ^ a b PRODUCER New York Times (1923-Current file) [New York, N.Y] 20 September 1987: SMA65

Sumber[sunting | sunting sumber]

Buku
Essei dan journal
  • Capella-Miternique, Hugo (July 2002). "A Tale Right Out of Hollywood—Set in the Desert of Almeira, in Spain?". dalam Jussila, Heikki; Majoral i Moliné, Roser; Cullen, Bradley. Sustainable Development and Geographical Space: Issues of Population, Environment, Globalization and Education in Marginal Regions. Marginal Regions (and In Association with IGU - Dynamics of Marginal and Critical Regions). Hampshire, United Kingdom: Ashgate Publishing. m/s. 270–283. ISBN 0-7546-1860-9. 
  • Cook, David (1999) [1998]. "Auteur Cinema and the "Film Generation" in 1970s Hollywood". dalam Lewis, Jon. The New American Cinema. North Carolina, United States: Duke University Press. m/s. 11–37. ISBN 0-7864-2016-2. 
  • Falicov, Tamara L. (Spring 2003). "B-Movies in the Pampas: Roger Corman's Co-Productions in Argentina". Hemisphere. Florida, United States: Florida International University's Latin American and Caribbean Center. 12: 25–27. ISSN 0898-3038. 
  • Grindley, Carl James (2004). "The Hagiography of Steel: The Hero's Weapon". dalam Driver, Martha W.; Ray, Sid. The Medieval Hero On Screen: Representations from Beowulf to Buffy. North Carolina, United States: McFarland & Company. m/s. 151–166. ISBN 0-7864-1926-1. 
  • Huckvale, David (1994). "The Composing Machine: Wagner and Popular Culture". dalam Tambling, Jeremy. A Night in at the Opera: Media Representations of Opera. London, United Kingdom: John Libbey and Company. m/s. 113–144. ISBN 0-86196-466-7. 
  • Hunter, Ian (2007). "Post-classical Fantasy Cinema: The Lord of the Rings". dalam Cartmell, Deborah; Whelehan, Imelda. The Cambridge Companion to Literature on Screen. Cambridge Companions to Literature. New York, United States: Cambridge University Press. m/s. 154–166. doi:10.1017/CCOL0521849624.011. ISBN 978-0-521-61486-3. 
  • Irwin, William (2007). "This Search Goes On: Christian, Warrior, Buddhist". Metallica and Philosophy: A Crash Course in Brain Surgery. Oxford, United Kingdom: Blackwell Publishing. m/s. 16–28. ISBN 978-1-4051-6348-4. 
  • Kellner, Douglas (2004). "Films, Politics, and Ideology: Reflections on Hollywood Film in the Age of Reagan". dalam Schatz, Thomas. Hollywood: Cultural Dimensions: Ideology, Identity and Cultural Industry Studies. Hollywood: Critical Concepts in Media and Cultural Studies. 4. London, United Kingdom: Routledge. m/s. 69–92. ISBN 0-415-28131-8. 
  • Marklund, Anders (2010). "Swedish Films and Filmmakers Abroad—Introduction". dalam Larsson, Mariah. Swedish Film: An Introduction and a Reader. Lund, Sweden: Nordic Academic Press. m/s. 306–310. ISBN 978-91-85509-36-2. 
  • McDonagh, Maitland (2008). "Dellamorte Dellamore and Michele Soavi". dalam Atkinson, Michael. Exile Cinema: Filmmakers at Work Beyond Hollywood. Horizons of Cinema. New York, United States: State University of New York Press. m/s. 131–136. ISBN 978-0-7914-7377-1. 
  • Palumbo, Donald E (November 11, 1987). "The Underground Journey and the Death and Resurrection Theme in Recent Science Fiction and Fantasy Films". dalam Morse, Donald E. The Fantastic in World Literature and the Arts: Selected Essays from the Fifth International Conference on the Fantastic in the Arts (1984). Contributions to the Study of Science Fiction and Fantasy. 28. Connecticut, United States: Greenwood Press. m/s. 211–228. ISBN 0-313-25526-1. 
  • Passman, Kristina (1991). Winkler, Martin, penyunting. "The Classical Amazon in Contemporary Cinema". Classics and Cinema. Bucknell Review. Pennsylvania, United States: Bucknell University Press. 35 (1): 81–105. ISBN 0-8387-5198-9. 
  • Whitaker, Albert Keith (2003). "In the Classroom: California Dreamin' in the Postmodern Academy". The Journal of Education. Massachusetts, United States: Boston University. 184 (2): 123–124. ISSN 0022-0574. 
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