Naughtius Maximus (album)
| Naughtius Maximus | |
|---|---|
| Album studio oleh | |
| Dilancarkan pada | 1 Julai 1995 |
| Dirakamkan pada | Februari – Mei 1995 |
| Tempat | Malaysia  |
| Studio | Digitron Studio |
| Genre | Hip hop, rap |
| Panjang | 43:59 |
| Bahasa | Inggeris |
| Syarikat | Articulate Sound |
| Penerbit | Moses "G-Soul" Chan |
| Single daripada Naughtius Maximus | |
| |
sunting · sunting di Wikidata | |
Naughtius Maximus ialah album studio pertama dan terakhir yang dikeluarkan oleh kumpulan hip hop Malaysia, Naughtius Maximus, dikeluarkan pada 1 Julai 1995 oleh Articulate Sound. Album ini telah diiktiraf sebagai album hip hop pertama Malaysia.[1][2]
Latar belakang[sunting | sunting sumber]
Album ini dirakamkan dalam tempoh empat bulan di Digitron Studio, Kuala Lumpur.[1] G-Soul menggalas tanggungjawab sebagai penerbit album, sebanyak 13 lagu dimuatkan dalam album ini dengan Naughtius Maximus menyumbangkan empat lagu termasuk "Here Comes Trouble" yang dikeluarkan sebagai single pertama, Whyness menyumbangkan tiga lagu, manakala Deceased, Reffugeez dan Under Pressure menyumbangkan dua lagu setiap satu.[1]
Tidak lama selepas album ini dikeluarkan, 9 daripada 13 lagu dalam album Naughtius Maximus telah diharamkan daripada siaran radio oleh Radio Televisyen Malaysia (RTM) kerana disifatkan terlalu "kebaratan",[3] melalui surat yang dihantar oleh RTM kepada Articulate Sound.[1][4]
Senarai runut[sunting | sunting sumber]
Kesemua runut ditulis dan digubah oleh Illegal dan G-Soul.
| No. | Tajuk | Masa | |
|---|---|---|---|
| 1. | "Here Comes Trouble" | 3:32 | |
| 2. | "L.O.T.U.S." (Freestyle Jam) | 4:15 | |
| 3. | "Ruff Wayz" | 3:35 | |
| 4. | "Shoo Dem" | 4:25 | |
| 5. | "Rip Some Up" | 2:42 | |
| 6. | "No 1 Duzit Better" | 3:32 | |
| 7. | "Tha Flava" | 3:22 | |
| 8. | "Right On Time" | 3:32 | |
| 9. | "95s Soul: Sound 4 Ya Jeep" | 1:42 | |
| 10. | "Caught Up In Da Game" | 4:12 | |
| 11. | "Reprise: Shoo Dem" | 1:42 | |
| 12. | "Money, Power & Respect" | 4:15 | |
| 13. | "Here Comes Trouble" (Mess Jam Edit) | 3:32 | |
Rujukan[sunting | sunting sumber]
- ^ a b c d "This Incomplete History of Malaysian Hip Hop" [Sejarah Tidak Lengkap Muzik Hip Hop Malaysia] (dalam bahasa Inggeris). The Documentist Ride. 9 April 2010. Dicapai pada 14 Disember 2014.
Recorded within the space of four months at Digitron Studio, (legend has it that as the group hadn’t the money to book studio time, they “stole” some booked by other acts), Naughtius Maximus’ debut album was released on July 1, 1995, by Articulate Sound Sdn Bhd. [...] the 13-song set featured three songs by Whyness, two tracks from Deceased, Reffugeez and Under Pressure each, and four songs by the collective. Musically, it is without a doubt Malaysia’s first-ever genuine hip hop album, complete with the requisite beats, rhymes, attitude and spirit. If there was anything lacking, it was production quality".
- ^ "These five Malaysian hip hop albums will give you a crash course on its evolution" [Lima album hip hop Malaysia ini pasti membuatkan anda tidak senang duduk]. MTV Asia. 14 Jun 2018. Dicapai pada 18 Disember 2018.
Widely recognized as Malaysia's first-ever real hip-hop album, with tracks from some of the most influential local trailblazers at the time — crews like Whyness, Reffugeez, Under Pressure, and Deceased — Naughtius Maximus changed the game forever just by existing.
[pautan mati kekal] - ^ Saniboey Mohd Ismail (17 Julai 1995). "Naughtius Maximus berharap". Harian Metro. Dicapai pada 5 Disember 2020.
Walaupun sembilan daripada 13 lagu kumpulan rap, Naughtius Maximus digam oleh Radio Televisyen Malaysia (RTM) dengan alasan terlalu kebaratan, mereka tetap menaruh harapan agar album sulung yang dipasarkan sejak 1 Julai lalu mendapat tempat di hati peminat.
- ^ "10 moments that defined urban Malaysian music" [10 detik yang merubah muzik Malaysia urban] (dalam bahasa Inggeris). JUICE Online. 29 Ogos 2009. Dicapai pada 17 Disember 2018.
With only one album released in 1995, and whole lotta buzz, they managed to squeeze a number of appearances on TV and radio on programmes such as Remaja, Muzik Muzik and the Metro Chart Show. There was plenty of print-coverage for Naughtius Maximus despite the ban from RTM (which ironically accused them, in a letter sent to Nottimax’s label Articulate Records, of being too “westernised”).