Seramik Cina

Ming covered red jar with dragon and sea design from the Jiajing reign

Barang seramik Cina menunjukkan satu perkembangan yang berterusan sejak tempoh pra-dinasti, dan merupakan salah satu bentuk seni yang paling penting seni Cina. China kaya dengan bahan-bahan mentah yang diperlukan untuk membuat seramik. Seramik pertama telah dibuat semasa zaman Palaeolitik. Seramik Cina terdiri daripada bahan-bahan pembinaan seperti batu-bata dan jubin, ke tangan dibina tembikar kapal dilepaskan dalam unggun api atau tanur, kepada yang canggih porselin Cina barang dibuat bagi istana maharaja. China mempunyai monopoli ke atas porselin pengeluaran sehingga baru-baru ini, dan porselin juga sering dipanggil "china" dalam bahasa Inggeris.

Lihat juga

Wu Shuang Pu; Ban Chao (32-102); Xianfeng reign (1850-1861)

• Seni Cina
• Blanc-de-Chine (yang barang putih Dehua).
• Canton porselin (porselin Jingdezhen dihiasi di Canton untuk dieksport ke Barat).
• Eksport porselin Cina (porselin Cina dibuat untuk dieksport ke Barat).
• Dehua porselin kilang (kilang-kilang di Dehua).
• Famille jaune, Noire, meningkat, Verte (barang yg melkan abad kelapan belas dan kesembilan belas).
• Kraak porselin (barangan eksport biru dan putih dalam rasa Belanda).
• Longquan Celadon (yang barang Celadon daripada Longquan kaunti).
• Swatow ware (barangan dieksport melalui pelabuhan Swatow).
• Tanah liat Yixing (yang stonewares merah Yixing).
• Tiger Gua Kiln (tempat banyak Southern Song rasmi Celadon ware)
• Shiwan Ware
• Pinner
• Seramik Thailand
• Seramik Vietnam

Bibliografi

• Ayers, J. and Bingling, Y., (2002) Blanc de Chine: Divine Images in Porcelain, China Institute, New York
• Ayers, J and Kerr, R., (2000), Blanc de Chine Porcelain from Dehua, Art Media Resources Ltd.
• Brook, Timothy. The Confusions of Pleasure: Commerce and Culture in Ming China. Berkeley and Los Angeles: University of California Press, 1998. ISBN 0-520-22154-0.
• Clunas, Craig. Superfluous Things: Material Culture and Social Status in Early Modern China. Urbana: University of Illinois Press, 1991 and Honolulu: University of Hawai'i Press, 2004.
• Donnelly, P.J. (1969), Blanc de Chine, Faber and Faber, London
• Fong, Wen C, and James C.Y. Watt. Possessing the Past: Treasures from the National Palace Museum Taipei. New York: The Metropolitan Museum of Art, 1996.
• Gao, Lian. “The Tsun Sheng Pa Chien, AD 1591, by Kao Lien.” Translated by Arthur Waley. Yearbook of Oriental Art and Culture, 1, (1924–25).
• Harrison-Hall, J. (2001), Ming Ceramics in the British Museum, British Museum, London
• Kerr, Rose and Wood, Nigel (2004). Science and Civilisation in China, Volume 5, Part XII: Ceramic Technology. Cambridge University Press. ISBN 0-521-83833-9.
• Kotz, Suzanne (ed.) (1989) Imperial Taste. Chinese Ceramics from the Percival David Foundation. Chronicle Books, San Francisco. ISBN 0-87701-612-7.
• Li, Chu-tsing and James C.Y. Watt, eds. The Chinese scholar's studio: artistic life in the late Ming period. New York: Thames and Hudson, 1987.
• Li, He, (1996). Chinese Ceramics. The New Standard Guide. Thames and Hudson, London. ISBN 0-500-23727-1.
• Li, He and Michael Knight. Power and Glory: Court Art of China’s Ming Dynasty. San Francisco: Asian Art Museum, 2008.
• Lion-Goldschmidt, Daisy. Ming Porcelain. Translated by Katherine Watson. New York: Rizzoli, 1978.
• Moujian, S., (1986) An Encyclopedia of Chinese Art, p. 292.
• Pierson, Stacey, (1996). Earth, Fire and Water: Chinese Ceramic Technology. Percival David Foundation of Chinese Art, University of London. ISBN 0-7286-0265-2.
• Wood, N. (2007), Chinese Glazes: Their Chemistry, Origins and Re-creation, A & C Black, London, and University of Pennsylvania Press, USA

Pautan luar

• Chinese Ceramics at China Online Museum